weetstraw offers several interesting sets of ephemera, photographs and a variety of visuals.
"weetstraw.com draws in users based on familiar subjects, and creates connections to ideas from various contexts. the purpose of the site is to introduce the user to new possibilities of visual associations, through the common and the obscure."
Art of the Title Sequence is a fantastic site dedicated entirely to title sequences. In addition to having a great title archive, there is also quite a bit of content on the concepts and processes behind some of the most successful movie titles ever.
Duke University libraries has compiled a fantastic digital archive of Mid-Nineteenth and Early-Twentieth Century advertising, ephemera, and photography. The site isn't much to look at, but it's easy to navigate and the content is wonderful.
There are a few items of note I wanted to share...
I now have a twitter account: @tomdavie. Unfortunately I won't be using it to update you on where I am, or what I'm reading, watching or eating, because honestly, my pizza eating schedule is really not that interesting. I will be using the account to automatically feed new updates on the studiotwentysix2 site and blog, as well as Good Type, Bad Type, Well Designed and interactive alley. A one-stop-shop if you will.
Good Type, Bad Type was created as part of my introduction to typography teaching process, and although that class finished in December, I will keep the site updated as often as I can. I'm always looking for new work to post, so if you run across something of interest, send the URL my way.
Well Designed and interactive alley are also to be used as teaching aids. Well Designed is dedicated to all forms of print, packaging and publication design, while interactive alley is dedicated to site design, movies, title sequences and kinetic typography. Again, if you come across some impressive work, please let me know.
As for this blog, the titles of each post are now clickable links; this will make it easier to get the permanent URL for bookmarking and sharing.
I was searching through flickr, and came across this fabulously large group of images dedicated to Modernist type and design. If you are a design student, you should be saving this link as a bookmark right about.....now.
Things Magazine, which is outstanding in its own right, has assembled a fantastic archive of Pelican book covers produced from the 1930s through the 1980s. Certainly worth a bookmark.
The folks at creative nerds have compiled a list (with links) for the "50 Best Free Fonts from 2009." Enjoy the freebies and download to your heart's content.
Pictured above is the typeface Facet, released by the independent type foundry Fontfabric.
I recently set up a portfolio on the Behance Network, which considers itself "a platform for creative portfolios, projects, and collaborations." There is a nice mixture of well-known and lesser-known artists and designers, and most of the work represented seems to range from decent to exceptional quality.
If you're a creative, you might want to consider joining, or, if you're just interested in keeping tabs on contemporary art & design, you might have a good time simply browsing.
My typographic-based White Space poster is now available for download as an iPhone wallpaper via typenuts (a member of the i love typography network). Enjoy.
I downloaded iTunes 9 this week, and in order to use the iTunes store, an upgrade to Safari 4 was required. I tend to use both Firefox and Safari, but I really like this new feature on version 4. You can set the browser to load 12 preferred sites, and view a real-time larger-than-thumbnail preview of each.
Sorry for the lack of posts this week, I was out-of-town for a few days.
Lost and Taken is a great resource site for Hi Res, good-quality textures and scans. Most, if not all, are copyright / royalty-free images that are acceptable for personal and commercial use. Check it out.
I was in the process of organizing some old bookmarks, and came across this 2005 Design Observer essay by Michael Beirut. The topic is the Target ClearRx prescription bottle that started as a graduate assignment at the School of Visual Arts.
Although he probably overstates the importance of the bottle redesign, it's still a good piece of writing; and with the inclusion of the comments section, it makes for an interesting read.
I was sent a copy of this article a few weeks ago as a PDF file, but now that Brand Packaging has added it to their site, I thought I would forward it along.
The article focuses on the recent Tropicana rebranding failure by discussing what went wrong, what we can learn from it, and how to potentially avoid a future rebranding backlash.
I will be teaching an introduction to typography class this semester, and as a reference point for examples and discussion, have created Good Type, Bad Type - where the best and worst of typography, mingle seamlessly. I encourage you to stop by and check it out, and if you would like to join or start a discussion, or have an outstanding example of good / bad typography to share - that's even better.
A nice article from The New York Times that focuses on design legends of varying disciplines, including Charles and Ray Eames and Paul Rand. The article includes a video link for each of the featured designers.
Although the quality of the work can be hit-or-miss, typo/graphic posters is a fantastic resource for typographic-based poster design. The directory of typographic and graphic posters has a nice mix of styles and a variety of approaches to poster design that makes the site quite appealing.
Sleevage is a blog / archive dedicated to album cover art.
Accompanying each cover is detailed information about the band, the artist (if known) and any historical art or design references that may have influenced the cover art. It's a quality site and definitely worth a bookmark.
The UnderConsideration team has launched a new blog focused entirely on print design...
FPO is a blog dedicated to both the visual stimulus and the detailing of the development and production of printed matter: Annual reports, books, business cards, stationery suites, collateral materials, posters, packaging and anything else where ink meets substrate. A subject matter we know, love and understand. A process that, despite numerous eulogies, is still alive.
This is an outstanding resource for all things book cover design related.
In addition to providing a database of well-designed covers, each archive entry also lists the designer, studio and font usage. Quite a fantastic bookmark for anyone interested in graphic or literature design. The archive is edited and maintained by Ben Pieratt of General Projects and Eric Jacobsen of Whisky Van Gogh Go.
This site is certainly not art or design related, but I have a hard time resisting my fondness for candy and treats. Pimp That Snack is a treasure-trove of a resource for anyone searching out sugar, flour and chocolaty goodness on an epic scale.
CopyPasteCharacter.com allows for simple access to icons, dingbats and typographic characters that are underutilized due to unknown or overly complex key-commands. Simply click the characters to copy them, and then paste them (⌘ v) into a document, email or blog entry. ☃
My vegetarian readers will absolutely love this post — because if anyone can appreciate flattened, dried, and rigor mortised animal flesh, it’s the salad and tofu lovers.
Now I’m usually of the opinion that good is good. Meat = good. Business Cards = good. Unexpected concepts = good. However, I’m having a difficult time condoning flesh engraved business cards — it’s just wrong. Not morally wrong mind you, more like, everyone-will-be-disgusted-that-you-just-pulled-a-sheet-of-meat-out-of-your-pants-pocket kind of wrong. Sorry, but that’s just the way it is.
In my estimation, there are only three professions that could possess such an item and avoid utter revulsion: a butcher, a pig farmer and a beef jerky entrepreneur. Vice President of a global investment firm, not so much. Sorry, Mr. Bateman.
Lingering unresolved questions:
1. What is the best method for trimming out the individual business cards from the “sheet,” x-acto, carpenter’s knife or table saw?
2. What is the temperature of the average day-worn pants pocket?
3. How long can beef jerky stay in a day-worn pants pocket before it begins to emit a fragrance?
4. Must you pay for cards that omit vital information due to a hole or defect in the meat?
5. Can the cards be spot varnished to add an additional level of interest?
6. If received, would I put a meat card in my Rolodex? Hmmm...
The UK Design Council offers an abundance of really informative design articles, interviews and in-depth explanations on various design disciplines. The organization looks at design as a comprehensive whole: from design education and process through design business and management.
Tom’s running diary of things he learned while watching these graphic design career videos:
1. When discussing your qualifications, be sure to keep your awards and diploma visible at all times
2. Awards and praise let designers know that what they’re doing is “making a difference”
3. An Associates Degree will allow you to “go places”
4. Design elements should be integrated into the design
5. If a sports team has a preexisting color scheme, you may want to incorporate those colors into their design work
6. There are many different ways you can apply for different jobs
7. Clients like to pick-and-choose design elements
8. Clients really like “energy bursts”
9. Clients probably won’t like your font or color choices
10. Clients like to put their logo on their worker’s jackets
11. Clients will be happy with the end results, as long as they’re given variety
When producing a set of graphic design career videos, always remember to:
1. Sit in front of a computer that is older than your teenage child
2. Never turn down the volume on your monitor — it allows your audience to appreciate the sounds of the world’s first screen saver
3. Never edit your footage to make your career video better
4. Rarely make eye contact with the camera, but be sure to look down-and-to-the-left and to the producer standing to the side of the camera as often as possible
5. Never waste time writing a script, they are overrated — your audience will appreciate your ability to “keep it real”
Print magazine’s web site is hosting a daily blog written by art director, design educator and design historian Steven Heller. Heller has written and edited numerous books about graphic design. He is currently co-chair of the MFA Designer as Author program at the School of Visual Arts and writes for the New York Times.
In other sports related news, two players from the Washington Nationals wore misspelled jerseys on Tuesday. Majestic Athletic, the company responsible for making the jerseys offered this apology...
“We take 100 percent responsibility for this event and we regret any embarrassment for the Nationals organization, players and fans.”
Italian graphic and web designer Francesco Mugnai maintains the design blog, ‘Oh My God. It even has a watermark.’ The blog is a nice reference collection of contemporary business card design, categorized by color, style and printing technique.
This is a handy resource for all those interested in web design. Italian web designer and developer Vladimir Carrer has created a simple but useful printable browser template for sketching web design layouts. The sketchbook templates can be printed as blank browser pages, or with printed 10px and 100px grids.
You The Designer has assembled a pretty nice list (with links) containing 30 of the most popular graphic design books available for purchase. Most of the publications are well known within the field, but even if you are familiar with the books, the list is still a quality resource and a good bookmark to have.
This list also reminded me that I would like to read How to Think Like a Great Graphic Designer — but I have never come across a copy of it.
I wanted to post this letter to the NCAA written by Charles Kupchella, President of the University of North Dakota for several reasons: 1. It deals with the significance of logos and identity systems 2. It’s one of the best-written and thought-out letters I’ve ever come across 3. It’s becoming harder to find on the Internet.
The letter is quite lengthy, but a fantastic read. President Kupchella wrote this piece to the NCAA to appeal the claim that their logo is offensive toward Native Americans. In the letter Kupchella defends the university’s sports identity, and seeks continued use of their logo and mascot, the Fighting Sioux.
If you are into 18th to 20th century Japanese Woodblock Prints, then this is a site you will want to bookmark. The Japan Print Gallery in London has an excellent online collection of Japanese prints by some of the period’s most recognizable artists.
I only wish they provided a thumbnail preview, because unless you are an art historian or collector of Japanese prints, it is quite a lot of work to search through without a reference point. The gallery did a great job on the documentation of the work — the color and image sizes are spot-on.
Agency Fusion has created an infomercial style video for the fictitious Make My Logo Bigger Cream.
While the idea of designers poking fun at clients for wanting a huge logo is not new, the video still tends to be more clever than not — albeit overly repetitive and borderline annoying with the multiple product variations at the middle and end of the piece.
On one hand, I think the intent and concept of these recycled bags is fantastic, and that TerraCycle should be applauded in their decision to reduce and reuse what would become landfill waste.
On the other hand, I’m just not into the bag aesthetics. It seems like the overall design, patterning and style could be so much more complex, sophisticated and interesting. What do you think?
Eighty year-old graphic designer and design educator Maryellen McFadden has assembled an enormous and genuinely impressive collection of contemporary and historical graphic design work.
She has categorized the work in an easy-to-find manner by designer, country of origin and historical style. This is as close to an online design encyclopedia as I’ve ever encountered.
If you are a graphic designer, design student or design educator, this is a bookmark you will want to have.
“A picture of an armed sheriff moving through an American home after an eviction due to a mortgage foreclosure was named World Press Photo of 2008 on Friday.
Jury members said the strength of the photo by American Anthony Suau for Time magazine was in its opposites -- it looks like a classic war photograph, but is simply the eviction of people from a house.
“Now war in its classic sense is coming into people’s houses because they can’t pay their mortgages,” jury chair MaryAnne Golon said.”
So the primary reason this image was selected World Press Photo of 2008 was the context that it occurred in an American home, as opposed to some other country — or that the mortgage crisis has become so bad that it can require the assistance of armed police officers? Hmmm…
“The Associated Press has determined that the photograph used in the poster is an AP photo and that its use required permission,” the AP’s director of media relations, Paul Colford, said in a statement.
“We believe fair use protects Shepard’s right to do what he did here,” says Fairey’s attorney, Anthony Falzone, executive director of the Fair Use Project at Stanford University and a lecturer at the Stanford Law School.